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Kashmir is only region in India bestowed with the presence of Majestic walnut trees.The walnut from Kashmir are rich and famous worldwide for their taste.Another dimension of walnut tree is beautiful carving it hosts.
Locally known as ‘doon’ tree. Wood is hard and durable .it is close grained and even textured which facilitates fine and detailed carving work.walnut wood has an inherent sheen which comes on its own when polished with wax or spirit.
A walnut wood carving of Kashmir employes a process of hand carving done very carefully and delicately ,in various styles by means of varied tools ,fabricated locally depicting Forms and Motifs ,that have evolved over a period of centuries.
The Carving employs a host of motifs that depict the varied Flora and Fauna of the region in a highly styled manner.
- Inscribing (Lyeakhun) : first step is inscribing MOTIFS on wood . this is done with the help of pencil which serves as the baseline for naqash.
■ Beating (Dagun): it involves digging out according to drawn pencil lines . done with the help of chisels called DAAGI VOUL and a small mallet called "THAAP".
- Zameen kadun: This involves deeper digging around the motifs .
- Giving Shape (Guzar dyun): Giving a broader outline to the inner intricacies within the motif .
- Texture (SumbKadun): this is the final step in the carving of the walnut wood ,sumb is nail like tool with teeth like structure .
- Polishing and Furnishing : the last step is polishing and furnishing given to the item before it can be sent out to market.the person engaged with this work is called “Roshan gaar”.
Walnut woodcarving is believed to have been introduced in Kashmir by Islamic missionary Sheikh Hamza Makhdoom during the reign of Zainul Abdideen in the 15th century. The king promoted the art to improve the valley’s economy. And the ever-blooming market for these master beauties kept bringing wealth and employment to the artisans until a few decades ago.
The craft was initially restricted to the creation of elaborate palaces and houses. Written records tell of Zain-ul-Abadin`s great razdani, palace, and its elaborate wood carvings. To this date, several fine examples of intricately carved buildings, shrines and mausoleums survive in Kashmir — the shrines of Noor-ud-din-Wali at Charar-e-Sharif, the Naqshaband mosque and the shrine of Nund Rishi are just a few of them.
It has moved from elaborate creations to a whole range of contemporary products across the spectrum.
Walnut wood furniture has a global appeal. Wood industry of Kashmir has been brought to the international arena for these excellent types of woodcarving. It enjoys immense popularity and global acclaim.
Conclusion:
In today’s Contemporary market,kashmiri walnut carving is recognisable because of color and tone and its combination with the local craftsmanship depicting certain established motifs in a miniaturized form in traditional established styles.
Dar Javed postgraduate in craft management and Entrepreneurship
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